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China: Fans rejoice as Marvel films return after apparent ban

His frenetic tale of a jewellery heist gone south was as inspired as it was inspiring, steering audiences towards Hong Kong action cinema and setting the template for every pop culture-referencing, black-suited gangster on film since. Derek Connolly, who would go on to write both Jurassic World films and Star Wars IX, won a Spirit Award for Best New Screenplay for this oddball sci-fi rom-com. Starring Aubrey Plaza and Mark Duplass , the story starts with a wanted ad in the newspaper – Kenneth is looking for a partner to time travel with.
It gives the story—which takes place in a version of America where 20 percent of the population is hooked on the powerful Substance D—a trippy, hallucinogenic feel. The movie features Robert Downey Jr., Woody Harrelson, and Winona Ryder in varying states of paranoia, and it follows an undercover operative working for a government that's using invasive, high-tech surveillance to get a handle on the war on drugs. Sci-fi pioneer Ridley Scott’s Alien follows the crew of a commercial space ship—led by the kickass Ellen Ripley —who are sent to investigate Ripley’s claims of a race of alien beings that overtook her previous ship, the Nostromo. อนิเมะ It doesn’t take long for the team to encounter their first pair of murderous alien life-forms, the infamous face-huggers, and witness the trail of death and destruction they leave in their wake. The film’s claustrophobic atmosphere was inspired by classic sci-fi stories, but it struggled to secure financing until Star Wars showed that audiences were thirsting for spectacularly made sci-fi.

Factoring into the equation such features will help to examine further not only the direction but also the causality of the relations identified in this and other studies. The calculation of Attentional-asynchrony metric was based on the Eye-Gaze Divergence Index introduced by Christoforou et al. , which was shown to carry predictive information on the likability of narrative videos. Similar to the Eye-Gaze Divergence Index (Christoforou et al., 2015), Attentional- asynchrony was calculated as the proportion of the movie-trailer on which the visual attention of a group of viewer’s diverged. Each window was subsequently classified as being either divergent or non-divergent; however, for the calculation of Attentional-asynchrony, a different classification criterion was used. The null-distribution over pairwise distances was estimated by randomizing the order of windows, participants, and viewings for each movie trailer. Finally, the Attentional-asynchrony metric was calculated as the fraction of windows identified as being divergent.
Nevertheless, future studies should control for the possible effects of movie likeness. Also, a future direction of the work in this area is to implement a broad range of criteria for movie selection that relate to the production technique of the movies (e.g., loudness, montage, sound effects), apart from those used in the present study. Another future research direction would be to study the relationship of the proposed metrics to pertinent factors of a movie’s sales performance, such as film familiarity, the popularity of the actors and cultural familiarity (Hennig-Thurau et al., 2007).
In this romantic take on sci-fi, directed by Spike Jonze, Theodore , a depressed writer, leads a lonely life in a futuristic version of Los Angeles. He upgrades an operating system, which leads to the introduction of a virtual assistant with AI capabilities who calls herself Samantha . As Theodore tries to move on from his impending divorce, he finds that Samantha’s influence on his life stretches past the purely practical. Rather than delving into sci-fi tropes about a lonely man and his operating system, the film's nuanced and sweet exploration of intimacy and technology brought a new dimension to how we think about virtual assistants. Magic and fairytale characters are brought to life through ballet in this well-known family favourite. Director David McVicar brings out the revolutionary elements in Mozart’s great comic opera of intrigue, misunderstanding and forgiveness.
Science and religion collide in this adaptation of the Carl Sagan novel of the same name, which follows a pair of scientists who make contact with extraterrestrial intelligence. Dr. Ellie Arroway works at the Arecibo Observatory in Puerto Rico, where she has been attempting to make contact with extraterrestrials for years. When a repeating signal eventually appears from the Vega star system, she enters into an international race to decipher it, in the hope of being selected to respond to the message. The film caused a bit of controversy when real footage of Bill Clinton responding to the discovery of a meteorite that was thought to be from Mars was inserted into the film, prompting the White House to send a letter to the filmmakers. Former CNN president and chairman Tom Johnson also came forward to express regret for allowing several of his on-air anchors, including Larry King, to appear in the film, believing it blurred the line between news and entertainment.
While Schwarzenegger was initially being considered for the role of Kyle Reese, Cameron demanded that he be cast as the eponymous cyborg assassin who is sent from the year 2029 to 1984 to kill a woman whose son could be the savior in a postapocalyptic future. The movie arguably launched Cameron's and Schwarzenegger's careers as an action director and actor, respectively. The movie’s relentless, violent pace evened out what could have been a cheesy script in the wrong hands, and went on to become a vital piece of pop culture that’s still bearing fruit today.
Our results also suggest that this applies in particular during the movie’s opening weekend when the movie is usually attended by regular movie–goers and fans of the film. On the other hand, the decisions of infrequent or casual moviegoers, which are likely to attend the film in following weekends after the movie’s opening weekend, are better characterized by Attentional-asynchrony metric. Anticipating the behavior of large audiences to video stimuli, such as movies, movie trailers and TV series, is critical for the film industry. Movie trailers serve as a primary marketing tool to promote a movie, and often capture the core characteristic of the movie and motivate its storyline. Thus, evaluating the responses of moviegoers to movie trailers can provide a convenient means of predicting an audience response to the actual movie and hence to anticipate its potential commercial success, before its release. Traditionally, film testing relies on measurements of consumers’ stated preferences, obtained via questionnaires, and focus groups conducted during a test screening of the movie or the movie trailer .
In the present study, we used a key performance indicator based on box-office measurements. This KPI is comprised of the movie’s recorded revenues during the opening weekend, divided by the total budget of the film to account for variability of marketing capacity and reach of different movies. Moreover, we used the same KPI for movie revenues for the first eight weekends after the movies’ release. Table 1 shows the titles of the movies used in the study along with their corresponding KPI score. To evaluate the ability of Cognitive-congruency and Attentional-asynchrony to predict the commercial success of films, we used linear regression to model the relationship between these two metrics and a measure of box-office performance.
Through a series of unfortunate events, Marty is sent back to 1955, where he befriends the teenage versions of his dad and mom—whose advances he is forced to fend off. But by interfering in his own family history, Marty is unwittingly rewriting, and possibly erasing, his own future. Back to the Future Part II, released in 1989, took a somewhat less successful leap forward to a fanciful 2015, while the final installment in the trilogy, released in 1990, added a Western spin. All told, however, the franchise’s self-lacing shoes, DeLoreans, and hoverboards have all rightfully earned Back to the Future a place in sci-fi cinema history. Fields started out as an actor, starring in a string of films and television shows between the 80s and early 2000s, one of them being 1999's Eyes Wide Shut with Cruise and Nicole Kidman.
The WIRED conversation illuminates how technology is changing every aspect of our lives—from culture to business, science to design. The breakthroughs and innovations that we uncover lead to new ways of thinking, new connections, and new industries. The Marvel Movies From Worst to Best—and Where to Stream ThemHere’s our definitive ranking of all 30 films in the Marvel Cinematic Universe. A woman (Mélanie Laurent) wakes up in a cryonics cell after a few weeks in suspended animation.
He is offered money if he can help get Kee (Clare-Hope Ashitey), a young refugee and the first pregnant woman in almost two decades, across the border safely. As they embark on a perilous journey, they encounter difficulties every step of the way, from subterfuge to murder plots. Cuarón drew inspiration from a variety of works—literature, Michelangelo sculptures, and photographs of real battlefields—to create a profoundly moving cinematic experience. Simpson for the lead role in The Terminator, while James Cameron only met with Arnold Schwarzenegger with the intention of having a terrible interaction and declaring him impossible.
Scanners’ iconic exploding head scene set the bar for VFX at the time, with a serious bent on other gore films; it’s not a scene for the queasy, and it's an image you’re unlikely to ever forget. This 1962 short film is composed solely of black and white photos set to background narration. In the aftermath of World War III, scientists invent time travel with the goal of sending a person into the past to change the present—a move that any regular sci-fi watcher knows is a risky prospect.
We analyzed the relationship of between commercial success and each metric individually, and then we estimated a multiple regression model using both metrics. A tightly woven, claustrophobic film set on a train barreling toward the end of humanity can sound more like horror than sci-fi, but Snowpiercer is a different and exciting take on the genre. An attempt at climate engineering gone wrong has created a new Earth, and a train carrying the only people alive is wrecked by a mutiny.
Matters take an even darker turn when she discovers the family home has been put up as part of his bail bond, so she sets out to find him, dead or alive, before she loses everything. The film deservedly won a Grand Jury prize at Sundance in 2010, as well as earning four Oscar nominations; the cast and crew may have left the Kodak Theater empty-handed on the night, but Lawrence walked away a bona fide star. The dawn of the digital era in the 21st century democratised the movie-making process. With film-makers now able to shoot, distribute and market their films on budgets that would once barely have covered a day's film stock, they're free to experiment in ways once unthinkable.
The film was so ahead of its time that in 2017, Netflix revitalised it with a modernised series. One of the most arresting films of last year, Rocks reminds us that everyone - even teenagers - is fighting battles we know nothing about. When Rocks’ mother leaves home, she’s left to covertly care for her little brother Emmanuel (D’angelou Osei Kissiedu), in the hope that social services don’t find out and separate them.

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